This relationship would set the pattern of her life that comes to fulfillment at Thornfield Hall. It is also enough to disclose the meaning she experiences from the love of her friend Helen that helped her survive her torment. The new narrative style allows the depressing first part of the novel about her miserable childhood and sufferings to be very short, only enough to establish her background, her subdued nature and toughness. The initial scene prepares us for more heightened emotion than we are now used to but also introduces a filmic flashback storytelling that is most ingenious and up-to-date. Fukunaga has the unenviable task of resolving the conflict between the novel’s melodramatic Victoriana and the more naturalistic form of contemporary film. I groaned at the initial heavy-handedness, but appreciation must be given to the point that American director Cary Joji Fukunaga attempted to suppress many of the novel’s Gothic elements. She sheds all glamour in severe hair and dour dress, but her inherent beauty punches through the grimness to make Rochester’s adoration not only sensible but inescapable.Īn opening scene of Jane tearing away from Thornfield Hall into the terrific moors introduces the film like a grand piano crashing onto our heads. The retiring mouse of past adaptations has roared. The young Australian actress Mia Wasikowska is the most formidable Jane ever to be shown on screen. I find myself doing the same with Jane Eyre, another film about human flourishing.
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In recent years, only Mike Leigh’s Happy-Go-Lucky can said to be similarly successful for weeks after watching that film, I savoured the sweetness by playing its scenes repeatedly over in my head. The nutritiousness of this film is owed to one particular point, that it succeeds in bringing to life a lead character who is virtuous but not at all boring. Jane Eyre breathes like fresh Yorkshire air, wholesome and invigorating for our interior lives that crave a bit of goodness.
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She appeals to the nobler parts of ourselves, a part that is equally common to all of us but by which we are rarely reminded of in film. While many stories rely on imperfect lead protagonists who fail in order for us to relate to the downtrodden nature of the human condition, Jane is altogether different. She is an honourable woman, humble and courageous, kind but strong-willed.
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‘I would do anything for you, Sir, anything that is right.’ – Jane Eyre